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With his Visual Arts Group based out of Hollywood, Harris has acquired a solid reputation for managing and producing the people that no one else can or will handle: the so-called "specialty" or "non-legitimate" acts. With a father who worked in vaudeville, Harris was surrounded by show people from the age of five and claims it was through osmosis that he developed a sixth sense for what makes an act work. Whatever the latent cause, Chuck's sense of the "non-legitimate" broke him into the Big Time about thirteen years ago when he discovered a puppeteer by the name of Christopher. Of course, Christopher is not just a puppeteer. He dances with four life-size puppets attached by two large poles on either side of his body while lip-synching to the Jackson Five and/or the Village People. Under Chuck's management, Christopher went from gigging for $50 a night in obscure corners of California to appearing on national TV; today, he's making well over half a million a year internationally. With Christopher, still the Visual Arts Group's most marketable client, Chuck showed he has what it takes to make a seemingly average person with a few strange habits into relatively wholesome variety entertainment.
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