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But the true measure of Brannock's unswerving vision, and of his genius, remains the Brannock Device itselfthat oddly beautiful gadget they use to measure your shoe size. You've put your foot in one, and so has everyone else. Literally everyone. Think about that. Brannock invented it in 1926, and it's barely been altered in the intervening 70 years. That's because there's been no need to alter itthe Brannock Device, an astoundingly perfect Brannock was born in 1903. When he was three years old, his father, Otic C. Brannock, hooked up with Ernest Park to form the Park-Brannock Shoe Co., a retail outlet in downtown Syracuse. The younger Brannock, who worked in his father's store, soon saw the need for an instrument that could measure the human foot. At the time, a glorified yardsticka narrow wooden stick with calibration markingswas the state of the art. Realizing that this method measured foot length but not arch length or widthboth crucial to a good fitBrannock wanted something better. He worked on a prototype while in college. His roommate used to complain about Brannock's propensity for jumping out of bed in the middle of the night to scribble down notes and drawings. But Brannock couldn't be worried about trivialities like lost sleep or late-night mannershe was too busy chasing Perfection.
In 1926 the chase endedthe Brannock Device was born. At first, Brannock's invention was used primarily in his father's storeit provided a tremendous competitive advantage over the other shops in town. Eventually, however, demand spread. During the 1940s, Brannock moved his Brannock Device Company out of the shoe store and into a small Syracuse machine shop (where it would remain until a few years after his death; it was then relocated to a neighboring town). Although the Brannock Device was ultimately adopted by shoe stores not only around the country but also the world, Brannock was Charlie Brannock died in a hospital bed on November 22, 1992, at the age of 89. Though he was ill for about six months prior to his death, he maintained a daily presence at the office and was, by all accounts, friendly and happy to the end. Like Orson Welles, Brannock created his masterpiece while still in his twenties, but unlike Welles, he was untroubled by the obsession over what to do for an encore. Brannock understood that his device, a beautiful, perfect invention that has literally touched hundreds of millions of people, was more than enough for one lifetime. </end> PAUL LUKAS is the editor of Beer Frame: The Journal of Inconspicuous Consumption and a columnist for New York Magazine. His article Basement Tapes appeared in the premiere issue of STIM.
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